This is the only physical description of Jesus in the bible.
- Revelation 1.12-16 KWL
- 12 I turned round to see the voice speaking with me,
- and in so doing I saw seven gold lampstands.
- 13 In the middle of the lampstands: One like the Son of Man,
- clad in a full-length robe with a gold belt wrapped round his chest.
- 14 His head and hair: White, like white wool, like snow. His eyes like fiery flames.
- 15 His feet the same: White bronze, refined in a furnace. His voice: Like the sound of many waters.
- 16 He had seven stars in his right hand. From his mouth came a sharp, double-edged saber.
- His face: Like the sun, shining in its power.
Since it’s in Revelation, a book which largely consists of apocalyptic visions, people don’t take it literally. I find this to be true of even the nutjobs who take everything literally in that book. A Jesus with bronze skin and white hair? Gotta be a representative vision. ’Cause Jesus, as everybody knows, is white.
Been white since medieval times—’cause that’s how artists painted him.

Warner Sallman’s 1941 painting Head of Christ, the one many an American Protestant church has on the wall somewhere. Wikipedia
Arguably been white even longer than that: You know that picture of Jesus I use on the TXAB banner? Comes from KhristĂłs Pantokrátor, one of the oldest ikons of Jesus we have, dating from the sixth century. Painted by Byzantine Greeks… so, no surprise, Jesus looks Greek. ’Cause when people try to produce an image of God, we have the bad habit of rendering him in our own image.
So that’s what we see in every European painting of Christ Jesus: He’s European. Artists wanted to identify with him, or make him more familiar-looking to local audiences, or portray him in church pageants without wearing brownface. Northern European paintings tend to make him look northern European; southern European paintings tend to make him look southern European. Italian artists made him look Italian, French artists made him look French, Dutch artists made him look Dutch, and American artists made him look… well, whatever ethnic background they have. Usually white.
So when I was growing up, just about every picture of Jesus to be found in Protestant and Catholic churches, depicted him as white. I grew up in the San Francisco Bay Area, one of the most diverse parts of the country, and even so: White Jesus was everywhere.
Most popular was Werner Sallman’s Head of Christ, which you’ll still see all over the Christian subculture. Even in predominantly nonwhite churches: Black, Latino, Chinese, everywhere. They frame and display it the same way government offices display the President’s portrait. And of course white Jesus was all over our stained-glass windows, paintings, statues, Sunday school materials, Nativity crèches… stands to reason you’d get that idea fixed in your mind.
Plus, all the Jews I knew where white.
Yes, this is an excuse for being ignorant. You see, we were never taught otherwise. No pastor ever gestured at the portraits of white Jesus and pointed out, “Of course, you know he’s not really white.” This was the image of Jesus, and we unthinkingly accepted it.
More or less. Different artists might render the beard a slightly different color. Conservative churches might insist on pictures of Jesus with hair which doesn’t go past the neck. Movies might depict him with a fringed cloak and tunic—you know, like an actual first-century Jew. But for most Americans, that image from the Sallman painting would kick in: The real Jesus had brown hair, a white tunic, and either a red or blue toga. No fringes. Fringes look raggedy.
We’re meant to outgrow this worldview. But not everyone does.